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Join us for the 2024 Workshop on Creativity & Generative AI: A dialogue between machine learning researchers and creative professionals. In the wake of a disruptive year of advances in generative AI, we are bringing together the two communities for much-needed conversation.

We will provide a forum to voice the concerns and proposals of creative professionals, highlight existing efforts and jump-start new initiatives to empower creative communities, and foster mutual understanding and collaboration. Speakers and participants will include people who have a technical background in machine learning, as well as creative professionals who can speak to their experiences with generative AI.

The workshop will include:

The workshop is co-located with the NeurIPS 2024 conference, a large annual AI conference, and will take place in Vancouver, Canada.


Locations

Saturday:

Time Location
8:45 - 12:00 NeurIPS, room 201
12:00 - 13:00 Lunch at Indian Delicacy
13:00 - 14:00 Poster Session at NeurIPS + Wecome & Intro at Pinnacle Hotel Harbourfront, Level A, Corduva Ballroom
14:00 - 15:00 Pinnacle Hotel Harbourfront, Level A, Corduva Ballroom
15:00 - 18:00 Pinnacle Hotel Harbourfront, Level 3, Ports of the World
18:00 - 21:00 Pinnacle Hotel Harbourfront, Level 3, Ports of the World

Sunday:

Pinnacle Hotel Harbourfront, Level A, Salon F


Important Dates

Event Date
Submission Deadline September 12, 2024
Final Decisions October 9, 2024
Workshop Date December 14 and 15, 2024

Schedule

The following schedule is tentative and will be confirmed closer to the workshop:

Saturday

Time Topic Speaker(s)/Presenter(s) Location
8:45-9:00 Intro / Opening Remarks   201 room (NeurIPS) + Online
9:00-9:15 AI in Hollywood: Acts 1 & 2 Jillian Arnold 201 room (NeurIPS) + Online
9:15-9:45 Keynote Talk Kelly McKernan 201 room (NeurIPS) + Online
9:45-10:15 Coffee Break   201 room (NeurIPS)
10:15-11:15 Panel on AI & Copyright A. Feder Cooper, Edward Lee, Ben Brooks, Jillian Arnold, Kelly McKernan 201 room (NeurIPS) + Online
11:15-11:45 Contributed Talks   201 room (NeurIPS) + Online
11:45-13:00 Lunch Break    
13:00-14:00 Poster (Neurips)Session   201 room (NeurIPS)
13:00-14:00 A Non-technical Overview of Generative AI (concurrent session)   Pinnacle Hotel, Level A, Corduva Ballroom
14:00-14:15 Break / Move to Pinnacle Hotel    
14:15-14:45 The Incompatibilities between Generative AI and Art Ted Chiang Pinnacle Hotel, Level A, Corduva Ballroom + Online
14:45-15:30 Coffee Break / Icebreaker   Pinnacle Hotel
15:30-15:45 The Opportunity to Connect People Through GenAI Carl Kwoh Pinnacle Hotel, Level 3, Ports of the World + Online
15:45-16:00 Photography, Go, and Copyright: a Creator’s Perspective Jingna Zhang Pinnacle Hotel, Level 3, Ports of the World + Online
16:00-17:30 Round Table Discussions   Pinnacle Hotel, Level 3, Ports of the World + Online
17:30-17:45 Closing Remarks   Pinnacle Hotel, Level 3, Ports of the World + Online
18:00-21:00 Dinner   Pinnacle Hotel, Level 3, Ports of the World

Sunday

Time Topic Speaker(s)/Presenter(s) Location
9:00-9:45 Towards Better Metaphors for Generative AI Isabelle Levent Pinnacle Hotel, Level A, Salon F
9:45-10:30 What are we not thinking of? Jillian Arnold Pinnacle Hotel, Level A, Salon F
10:30-11:00 Coffee break   Pinnacle Hotel, Level A, Salon F
11:00-11:45 Impact of Generative AI on Photography and Entertainment Art Jingna Zhang Pinnacle Hotel, Level A, Salon F
11:45-14:00 Discussions followed by Lunch   Pinnacle Hotel, Level A, Salon F

Roundtables

Pinnacle Hotel roundtables

Priorities for Future Policy: What Matters, Who’s Responsible, and How to Respond
Moderator: Ben Brooks
There has been lots of talk but little action on AI reform for creators. Reform is complicated by imprecision about what risks matter most to creators and developers, who in the supply chain should mitigate them, and how to respond with technical or regulatory interventions. These challenges are especially acute in an open and distributed ecosystem, where capabilities, risks, and responsibilities are distributed across different actors. This session will ask participants to prioritize risks and interventions, highlighting areas of consensus between creators and developers, as well as areas where AI reforms overreach or miss the mark.

AI & Creative Writing
Moderator: James Yu
In Roald Dahl’s short story “The Great Automatic Grammatizator,” he imagined a world where machines could craft Pulitzer-worthy tales—a vision once dismissed as bizarre and far-fetched. Yet, that world is nearly here. Today, storytellers are collaborating with AI, from crafting intricate plots to refining prose, spanning everything from short stories to epic novels. What happens when the storyteller is an AI-human centaur? Could an AI pen the next Great American Novel? Will the next Hemingway collaborate with AI co-authors? And perhaps the biggest question of all: does AI truly understand what it means to tell a story?

Defining Creativity: Perspectives and Implications for Creative Tooling
Moderator: Isabelle Levent
What do we mean when we talk about “creativity?” Sometimes described by features of its product, process, or in relation to specific tasks, creativity lacks a standard definition. In our roundtable, we will discuss various definitions of creativity and how they inform different approaches to creative tooling.

The Creatives’ Wishlist: An Exploration of AI Tools to Help the Artistic Community
Moderator: Jingna Zhang
While capabilities research advance rapidly, research to protect and support creative communities affected by these developments remain largely underexplored. This roundtable will discuss a wishlist of tools surveyed from working professionals in visual arts—such as better ways to protect their work online, detect unauthorized usage, and search for non-AI media. By bringing these real-world needs to researchers, we hope to bridge the gap between academia and the impact that research has had on a community deeply affected by these developments.

Exploring the side affects of AI on Creativity & Labor: the pros, the cons, the issues we never think about
Moderator: Jillian Arnold
Our goal is to explore the downstream affects of AI on the every day lives of the artists and technicians, in the creative sectors. How does AI affect the track to becoming a master of its craft? What is the new entry level position? How does this affect healthcare, pension, and retirement? What are the up skilling and re-skilling opportunities? How do we reincorporate the creative sector? What are the emotional side affects of economizing, streamlining, and personnel contraction due to AI. How can we integrate AI with the least amount of negative impact, while not stifling the positive impact within our creative communities?

Rulings Not Rules – Unlocking Improvisational Play
Moderator: Carl Kwoh
In this round-table we discuss how the capabilities of LLMs can unlock a powerful new digital paradigm for creativity and playfulness but moving away from deterministic rules engines, to probabilistic rulings that amplify and personalize the experience.

Exploring the Intersection of Generative AI and Human Creativity
Moderator: Kelly McKernan
Generative AI is a quickly moving technology and foundational models are already disrupting creative fields. Some laud these models as a tool in the creative process, while others believe their plagaristic roots preclude authenticity. Is it possible for Gen AI - now or in the future - to aid in creative process in a genuine manner or can it only synthesize the human ingenuity its trained upon?

Online roundtables

Copyright, Creativity, and Machine Learning: Bridging Perspectives
Moderator: Methab Khan
This roundtable invites participants from diverse backgrounds to explore the intersections of copyright, technology, and creativity. We will discuss the challenges copyright poses to developing ML applications and creative works, focusing on issues like data access, fair use, and protecting creators’ livelihoods. Together, we’ll examine how current copyright laws align with these goals and identify gaps in the law. The discussion will be collaborative, as we will examine fair use factors, analyze ongoing copyright lawsuits against AI companies, and share best practices for ML researchers working with copyrighted data and for creators protecting their work.

What do we do when AI causes harm?
Moderator: Dan Mcquillan
Generative AI may be undermining livelihoods in the creative sector, but this is only one form of harm. AI and ML are also implicated in disinformation, exploitation, and environmental degradation. What do we do when the real world effects of AI start to diverge strongly from our own values? What if AI seems to align with authoritarian and far right politics? In this roundtable, we will explore concerns about AI’s impacts and discuss how we, both as practitioners and citizens, can collectively respond.


Speakers

Ted Chiang (Credit: Alan Berner)
Ted Chiang
Writer
Ted Chiang is an American science fiction writer. His work has won four Nebula awards, four Hugo awards, the John W. Campbell Award for Best New Writer, and six Locus awards. He has published the short story collections Stories of Your Life and Others (2002) and Exhalation: Stories (2019). His short story "Story of Your Life" was the basis of the film Arrival (2016). He is also a technical writer and frequent non-fiction contributor to The New Yorker magazine, especially on topics in computing such as artificial intelligence.
Kelly McKernan
Kelly McKernan
Kelly McKernan (they/them) is a fine artist, freelance illustrator, and educator based in Nashville, Tennessee, USA. Their paintings are inspired by art nouveau, dark fantasy, and pop surrealism and feature femme figures exploring their personal mythos as an exploration of Kelly’s own human journey.
A. Feder Cooper
A. Feder Cooper
A. Feder Cooper is a scalable machine-learning (ML) researcher, co-founder of The GenLaw Center, and an incoming Professor of Computer Science at Yale University. Cooper's contributions span uncertainty estimation, privacy and security of generative-AI systems, distributed training, hyperparameter optimization, and model selection. Cooper also does work in tech policy and law, and spends a lot of time finding ways to effectively communicate the capabilities and limits of AI/ML to interdisciplinary audiences and the public
Ben Brooks
Ben Brooks
Ben Brooks is a Fellow at the Berkman Klein Center, Harvard, where he scrutinizes the regulatory and legislative response to AI models. Previously, he served as Head of Public Policy for Stability AI, custodian of Stable Diffusion, and drove regulatory development efforts at GoogleX, Uber, and Coinbase, working with authorities on the ground in over 25 countries.
Edward Lee
Edward Lee
Edward Lee is a professor at Santa Clara Law and the founder of ChatGPTiseatingtheworld.com. His current research focuses on the ways in which AI, blockchain, and other disruptive technologies challenge existing legal paradigms.
Jillian Arnold
Jillian Arnold
Jillian Arnold is a recording and workflow engineer for live tv (Emmys, VMAs, Oscars etc). She is the president of local 695 - sound, video and projection and the IATSE AI negotiations subcommittee chair.
Jingna Zhang
Jingna Zhang
Jingna Zhang is the founder of Cara, a social and portfolio-sharing app for artists and fans with more than a million users in its beta. Prior to Cara, Jingna was an award-winning fashion and fine art photographer for magazines like Vogue, Elle, and Harper’s Bazaar, the founder of an esports team in StarCraft II, and a Singapore Olympic team candidate in air rifle. She works at the intersection of art and technology, advocating for creative rights and responsible AI development.
Carl Kwoh
Carl Kwoh
Carl Kwoh is CEO of Jam & Tea Studios, making games with generative ai as an engine for Improvisational Play between players. He's worked in the games industry for 20+ years at companies like Riot Games, Popcap Games, and Phoenix Labs
James Yu
James Yu
James Yu is a writer, technologist, and artist. He is the co-founder of Sudowrite, the AI for creative writers. He is also a published science fiction author. His writing explores how technology alters everyday society and our closest relationships.
Methab Khan
Methab Khan
Mehtab Khan is an Assistant Professor of Law and Computer Science at Cleveland State College of Law. She has previously held positions at the Yale Information Society Project and Harvard Berkman Klein Center. She works on copyright and AI governance.
Dan McQuillan
Dan McQuillan
After a Ph.D in Experimental Particle Physics, Dan worked with people learning disabilities & mental health issues, created websites with asylum seekers, ran social tech camps in Kyrgyzstan and Sarajevo and worked for Amnesty International and the NHS. He is currently a Lecturer in Creative & Social Computing at Goldsmiths, University of London and recently published 'Resisting AI' with Bristol University Press.

Accepted papers


Accepted artworks


Directions to Pinnacle Hotel from NeurIPS Convention Center

The afternoon session on Saturday will be held at the Pinnacle Hotel from 2pm at the following address:
1133 W Hastings St, Vancouver, BC V6E 3T3

The Pinnacle Hotel is a 6-minute walk from the NeurIPS Convention Center. Here is a map showing the route: image


Organizers

Yaim Cooper
Yaim Cooper
Mathematics
University of Notre Dame
Holden Lee
Holden Lee
Applied Mathematics and Statistics
Johns Hopkins University
Hugo Berard
Hugo Berard
Computer Science
UNESCO Chair in Urban Landscape, University of Montréal

Advisors

Ken Liu
Ken Liu
Writer
Nicholas Vincent
Nicholas Vincent
Computer Science
Simon Fraser University
Erin Gee (Credit: Elody Libe)
Erin Gee
Music
University of Montréal

Call for Papers and Creative Work

The submission portal for both calls is here.

Call for Papers

We invite participants to submit 2-page papers in the NeurIPS camera-ready format (with author names visible) at our submission portal by 11:59pm September 12, AoE. References and any supplementary materials provided do not count as part of the 2-page limit. However, it will be at the reviewers’ discretion to read the supplementary materials.

We invite both technical contributions related to building tools aligned with the values and needs of creative professionals, as well as perspectives on broader issues in the field. Here is a non-exhaustive list of topics:

At least one author of each accepted paper must register for and attend the workshop. Authors of accepted papers are invited to present a poster on their work in the poster session. A small number of papers may be selected for an invited talk.

Submissions that have appeared in the main NeurIPS 2024 conference are allowed. Otherwise, submissions cannot have previously appeared in conferences or journals. Accepted papers will appear on the workshop website, but the workshop will not have official proceedings.

Call for Creative Work

We invite creative submissions of all forms, including (and not limited to) visual art, writing, music, film, games, mathematics, and performance, that critically engage with the use of AI in creative endeavors. The work itself can be generated with or without AI tools, and can be “proof-of-concept”. We especially look for work that puts generative AI in context within the creative process, shows new ways of collaborating creatively with AI, and sparks conversation about our relationship with AI. Artwork will be judged based on both artistic merit and on thematic relevance. Submit at our submission portal by 11:59pm September 12, AoE.

While registration is required to attend the workshop, it will not be required to have accepted artwork. A small number of creators may be selected to give an invited talk.

If your work is selected for inclusion in the program, you grant us non-exclusive rights to publish and reproduce the artwork. By submitting, you affirm that you are the author of the work and have the authority to grant these rights (inasmuch as possible given possible AI-assisted creation).

All submissions will be considered for a up to $200 prize to recognize outstanding contributions to the exploration of AI in art.

Please indicate whether the work has previously appeared in other venues (including online) or is currently being reviewed elsewhere. We will prioritize original submissions which have not previously appeared in other venues.

Submissions should consist of the following, placed within a single .zip folder of at most 100MB:

If you are not able to submit your piece conforming to the above format, please get in touch with us with a description of your work, and we can arrange an alternative way for you to submit. For example, we may ask you to submit a link if it is an interactive piece hosted on a web server. Submissions not adhering to the above guidelines will be accepted only when cleared with us.


Contact

Contact the organizers at creativity.ai.neurips@gmail.com